Dangal Review


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Movie Title: Dangal
Star Cast: Aamir Khan, Sakshi Tanwar, Fatima Sana Shaikh, Sana Malhotra
Music by Pritam
Cinematography Sethu Sriram
Produced by Aamir Khan,Kiran Rao,Siddharth Roy Kapur
Written by Nitesh Tiwari,Piyush Gupta,Shreyas Jain,Nikhil Meharotra
Director: Nitesh Tiwari

A fictionalised tale, supported the lives of associate degree amateur scrapper -- Mahavir Singh Phogat and his illustrious daughters, Geeta associate degreed Babita Phogat -- Dangal is associate degree sacred story of an formidable father, who, when failing to fulfil his dreams, aspires to attain his vision of winning a trophy for his country in a world arena through his issue.

Narrated through Mahavir's kinsman and therefore the girl's early pugilist Omkar's purpose of read, the film may be a balanced battle the topic and so offers a number of bantering nuggets that otherwise would are a really dry documentation of their lives.

Designed as a typical sports film, and to ascertain the topic at the terribly onset, the narrative begins with a foolish begin however before long settles in on a convincing note, of a tyrant father United Nations agency ensures his reluctant daughters follow his directions. The shades in Mahavir's character area unit highlighted subtly, conveyance his softness and therefore the messages the film relays to the fore.

As a biopic, tho' one-dimensional, the film is well-packaged and given in a very realistic manner. excluding a number of inevitable medium liberties, it lacks high-voltage drama and therefore the amusement quotient is dutifully obligatory. The plot keeps you engrossed right until the top and therefore the climax, with the slow-motion shot of Geeta falling her opponent, is exhilarating.

The anthem is employed as a magnetic device to extract the texture of loyalty, and inadvertently, the audience wind up giving Geeta and therefore the film a ovation.

What keeps you affixed to the screen, from the start, is Aamir Khan's transformation into a Haryanvi. The actor not solely reinvents himself, he tips his films with this novelty issue that wows his audience. This time, enjoying associate degree aging scrapper, with adscititious pounds and fat to his otherwise chiselled frame, he mesmerises you with sang-froid. He virtually breathes and lives the lifetime of Mahavir Singh Phogat in rural Haryana.

But the celebs of the film area unit undoubtedly Zara Wasim and Suhani Bhatnagar. because the young Geeta and Babita, they're merely loveable and charming. They portray their innocent and aggressive perspective with such delicacy that you simply instantly fall gaga with their characters and root for them. They lay the inspiration for Muhammadan Sana Shaikh and Sanya Malhotra UN agency play the older versions of the characters.

Similarly Ritwik Sahore because the young Omkar, lays the inspiration for Aparshakti Khurana within the older role. They each do full justice to the character.

Vivan Bhatena in an exceedingly anaglyph as Mahavir's workplace colleague is wasted. Sakshi Tanwar in an exceedingly passive role as Daya, Mahavir's partner, is unimpressive as she plays herself.



The songs and background score mesh seamlessly with the narrative. On the assembly front, the international games area unit realistically recreated with exactitude and overall the film includes a terribly realistic look and feel. Sans the performance, Dangal looks too perfunctory with its sports and biopic tropes that tend to be sacred and psychological feature.

Final Cut: Good Movie, Worth To Watch
Views: 363
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